...an interesting discovery!

...an interesting discovery!

Imagine ! I discovered that this painting by Rembrandt is on a canvas with a pattern!

Even more interesting for me is that the Wardens inspected the quality of dyed cloth. On the painting it looks like if they have a book with the samples before dying!

I made two close up screenshots and if I look closer to the'pages' in the book on the painting I get more and more convinced it is a book of textile samples...

I think I see the threads from the selvedges and the way the man holds the 'page' in the other picture may be of 'feeling' the page....

I will try to find more about it in the many publications about the painting!

www.labo.pt

Screenshots from original at

https://www.rijksmuseum.nl/en/collection/SK-C-6

Info at the Rijksmuseum web page:

The Wardens of the Amsterdam Drapers’ Guild, Known as ‘The Syndics’, Rembrandt van Rijn, 1662

oil on canvas, h 191.5cm × w 279cm More details

The syndics inspected the quality of dyed cloth. Rembrandt portrayed them looking up from their work, as though disturbed by our arrival. This artistic device was a clever way of enlivening the scene and thereby involving the viewer. This late work by Rembrandt not only attests to his endless creativity, but also to his undiminished popularity among the citizens of Amsterdam.

..Great Masters have been very important in the process of my research and reconstructions @ Lab O !!! One of them is my master teacher and friend Julie Holyoke. I was her student in 1999 for the first time at the Lisio Foundation in Florence, Italy. It has been her great knowledge and capacity to teach the Jacquard textile design that fascinated me to go deeper in the complex world of textures. I stayed with the her Dobby loom, the one that she has been involved in to construct in the 1985's; the first AVL computer aided Dobby loom. The canvases I am weaving now are on that loom; it works perfectly with a Mac Plus computer and I am keeping it up in that combination. During the years I had the priviledge to learn more and more from her about textile design in shorter or longer term periods. It was in November 2017 that she encouraged and prepared me to apply for membership of CIETA, the highly recommended organisation for study of ancient textiles. Thank you so much Julie, without you I would never have come so far

Helena Loermans has been a weaver since 1960. Self-taught, she has also studied at the highest technical levels. Now a member of CIETA, she has run a studio in Odemira, Portugal since 2000 for the purposes of creative experimentation, exhibition, teaching, research, and private sale.

Lab O, a research laboratory focusing on the hand- woven patterned canvases used by the Spanish, Italian and Portuguese Old Masters.

Lab O opens the possibility for painting conservators to assist a workshop to understand how a linen canvas is woven on handlooms.

The very first reconstruction was of the diamond pattern textile seen by El Greco before he painted 'The Burial of the Count of Orgaz', and was presented in the 'Igreja Misericórdia' in Odemira on 17 June 2016.

The most recent study is about Diego Velázquez

'Supper at Emmaus' , painted on a patterned canvas. I am analysing the x-ray image, courtesy of the Department of Paintings Conservation.

Earlier are the handwoven reconstructions of the the canvas Diego Velázquez saw before painting 'Saint John in the Wilderness'; and what Titian had in front of him as he painted 'the Vendramin Family'

The project follows in the footsteps of the old masters and weavers, connecting craft, art, history and science and has developed since 2015, when Marta Pokojowczyk attended Helena Loermans Handwoven Textiles Atelier in Portugal under the Erasmus for Young Entrepreneurs Programme.